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Đến Hẹn Lại Lên - Weather Woman Returns (1996)
title='Đến Hẹn Lại Lên - Weather Woman Returns'>
Xem Phim Đến Hẹn Lại Lên - Weather Woman Returns
Diễn viên: Kei Mizutani, Misa Aika
Đạo diễn: Tomoaki Hosoyama
Hãng sản xuất: Asian Pulp Cinema
Quốc gia: Phim Nhật Bản
Thể loại: Phim 18+
Thời lượng: 169 phút
Giới thiệu:
From the moment that weatherwoman Keiko bids her television audience
farewell by hoisting up her skirt and revealing her skimpy panties you
know you are in for something different. Despite plenty of prurient
thrills, what makes The Weatherwoman such a wonderful
experience however is the combination of off kilter Japanese humour and
a cutting diatribe against the cult of celebrity. There's much more to
The Weatherwoman than a fleeting glimpse of silk.
The first film follows the meteoric rise of Keiko following her saucy
closure to her weather report. She quickly ascends through the ranks
and is second only to the owner of J-TV. The thing is you can't become
that successful that quickly without treading on peoples toes and Keiko
has left a trail of disgruntled employers ignored following her
salacious antics. The return of her predecessor marks a concerted
effort to de-throne the new queen of the cathode ray tube and soon the
two weatherwomen are battling in a kung fu filled extravaganza full of
pyrotechnic witchcraft thrills. Kei Mizutani spontaneously combusts in
the role of Keiko and it's a shame she doesn't repeat the role in the
follow up.
The sequel, Weatherwoman Returns,
is a more sombre affair following a small company passed down by its
dying leader to his inexperienced daughter, Keiko. It was never quite
made clear if this was the same Keiko; maybe something was lost in
translation and the use of a different actress. The sequel, however
does try to convey a sense of seriousness as it depicts the trials and
tribulations of the television industry and the small businessman, but
soon descends into knicker flashing fun before the end credits as she
realises that it's the only way to save her beleaguered company. As
with the first film Keiko must battle her fellow weatherwoman to retain
her crown in a bizarre bout of scantily clad arm wrestling.
Saucy in all the right places the film's both
tread the fine line between comedy and sexploitation with aplomb. The
brief scenes of nudity and carnal frolics are mainly played for laughs.
The humour is broad and slapstick; there is no room for subtlety in
the world of the weatherwoman. When she demands an entrance to her
dressing room more befitting her stature, it's obvious that what she
deserves is a red carpet lined by scantily clad muscle men fanning her
as she returns from a broadcast. A special mention must also go to one
of the networks other shows, Hello Pervert! Camp just doesn't even cover it.
